Doubles and Doubts in Hitchcock

“Doubles and Doubts in Hitchcock: the German Connection,” Bettina Rosenbladt argues that the Germanic figure of the “doppelganger,” or the “double,” prevails in Hitchcock’s film Shadow of a Doubt (1943). Use precise formal an

In her essay, "Doubles and Doubts in Hitchcock: the German Connection," Bettina Rosenbladt argues that the Germanic figure of the "doppelganger," or the "double," prevails in Hitchcock’s film Shadow of a Doubt (1943). Use precise formal and thematic examples to demonstrate how this is manifested in the film.

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